[Tutoriel] How Felix Hernández creates a homemade dreamscape
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[Tutoriel] How Felix Hernández creates a homemade dreamscape
Dreams that seem real can keep us thinking for days. Mexican photographer and digital artist Felix Hernández creates dreamlike worlds that make us think. Take a closer look at how he combined photos of a scene he built in his studio with his subtle use of Adobe Photoshop to make us wonder what happened on a snowy night in the middle of nowhere.
To set the scene, Felix has to take a trip to his pantry and his sons’ toy box. In his studio, he uses flour to create a snowy landscape. A bit of dried dill, properly placed, gives the effect of tire tracks in the snow. Finally, some cigarette smoke, more flour, and a tabletop fan create the illusion of a blustery winter wind. With the props in place and the studio lighting set up, Felix takes a series of photos of the landscape and its extreme weather conditions.
For the weather swirling around the car, Felix imports six different photos of the car, each in various phases of the storm. Some photos show the car with a light dusting of snow, while others show the wind, in the form of smoke or flour, being blown in from different directions.
Felix uses a layer mask and reduces the opacity to create realistic lighting through the car windows. He continues to use layer masks on the weather layers to paint himself out of the scene and to reveal the wind and fog. He reduces the opacity on other layers to create the right visibility for the winter scene conditions.
Felix creates a wintery forest background from a stock photo. First, he imports the snowy tree image, then applies a Black & White adjustment layer and adjusts the color channels to refine the tint. Felix then applies a gradient layer mask to blend the trees into the background and adjusts the Levels to tweak the tone and color balance. Finally, he paints with black on the mask to blend the edges of the photo into the scene.
To fill the view of the horizon, Felix duplicates the tree image, scales it down, and moves it to the left to create the illusion of depth and perspective of the forest. Again, he paints on the mask to blend the edges of the image and reduces the layer opacity.
In another creative use of stock imagery, Felix imports two images to create the effect of headlights turned on. He takes the first image, a beam of light in the starry sky, and adjusts the Levels and Hue/Saturation to his liking. For the second, light shining through wisps of smoke, he tweaks the Curves and Levels to achieve the desired look of headlights glowing through fog and snow.
For the headlights, Felix rotates and scales the constellation image, adds a horizontal motion blur, reduces opacity, and stretches the image horizontally. He finishes the headlight layer by setting the blend mode to Screen. To create the simulation of high beams, he does a similar manipulation to the smoky light image layer.
For a touch of mystery, Felix imports a frosty handprint and adds it to the back window. He rotates and scales the hand, then moves it into place. To blend the effect, he adjusts the Levels for the hand layer and creates a clipping mask, sets the Blend Mode to Soft Light, and readjusts the Levels. Then, he adds a layer mask and paints with a black brush with a lowered opacity to blend the edges of the handprint photo. Finally, he applies a Gaussian Blur to create a grittier effect to match the scene of the ice and snow on the window.
Felix adds finishing touches to set the overall mood of the composition. A vignette helps draw the viewer’s eye, and a bit of color adds ambience to the backdrop. To create a similar vignette, you can apply a Gradient Overlay to the layer, set the Blend Mode to Multiply, adjust the Opacity, choose a Gradient preset, and tweak its settings. Use some layer adjustments to apply color correction.
Snowstorm on a tabletop
To set the scene, Felix has to take a trip to his pantry and his sons’ toy box. In his studio, he uses flour to create a snowy landscape. A bit of dried dill, properly placed, gives the effect of tire tracks in the snow. Finally, some cigarette smoke, more flour, and a tabletop fan create the illusion of a blustery winter wind. With the props in place and the studio lighting set up, Felix takes a series of photos of the landscape and its extreme weather conditions.
Caught in a blizzard
For the weather swirling around the car, Felix imports six different photos of the car, each in various phases of the storm. Some photos show the car with a light dusting of snow, while others show the wind, in the form of smoke or flour, being blown in from different directions.
Felix uses a layer mask and reduces the opacity to create realistic lighting through the car windows. He continues to use layer masks on the weather layers to paint himself out of the scene and to reveal the wind and fog. He reduces the opacity on other layers to create the right visibility for the winter scene conditions.
Forest fading into the background
Felix creates a wintery forest background from a stock photo. First, he imports the snowy tree image, then applies a Black & White adjustment layer and adjusts the color channels to refine the tint. Felix then applies a gradient layer mask to blend the trees into the background and adjusts the Levels to tweak the tone and color balance. Finally, he paints with black on the mask to blend the edges of the photo into the scene.
To fill the view of the horizon, Felix duplicates the tree image, scales it down, and moves it to the left to create the illusion of depth and perspective of the forest. Again, he paints on the mask to blend the edges of the image and reduces the layer opacity.
Headlights and high beams
In another creative use of stock imagery, Felix imports two images to create the effect of headlights turned on. He takes the first image, a beam of light in the starry sky, and adjusts the Levels and Hue/Saturation to his liking. For the second, light shining through wisps of smoke, he tweaks the Curves and Levels to achieve the desired look of headlights glowing through fog and snow.
For the headlights, Felix rotates and scales the constellation image, adds a horizontal motion blur, reduces opacity, and stretches the image horizontally. He finishes the headlight layer by setting the blend mode to Screen. To create the simulation of high beams, he does a similar manipulation to the smoky light image layer.
Fingerprints on the glass
For a touch of mystery, Felix imports a frosty handprint and adds it to the back window. He rotates and scales the hand, then moves it into place. To blend the effect, he adjusts the Levels for the hand layer and creates a clipping mask, sets the Blend Mode to Soft Light, and readjusts the Levels. Then, he adds a layer mask and paints with a black brush with a lowered opacity to blend the edges of the handprint photo. Finally, he applies a Gaussian Blur to create a grittier effect to match the scene of the ice and snow on the window.
Vignetting and a bit of color
Felix adds finishing touches to set the overall mood of the composition. A vignette helps draw the viewer’s eye, and a bit of color adds ambience to the backdrop. To create a similar vignette, you can apply a Gradient Overlay to the layer, set the Blend Mode to Multiply, adjust the Opacity, choose a Gradient preset, and tweak its settings. Use some layer adjustments to apply color correction.
King love- مبرمج نشيط
- المساهمات : 43
معدل النشاط : 48
السمعة : 3
King love- مبرمج نشيط
- المساهمات : 43
معدل النشاط : 48
السمعة : 3
مواضيع مماثلة
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» [Tutoriel] After Effects : 2- Get to know the interface.
» [Tutoriel] Illustrator basics for beginners
» [Tutoriel] After Effects : 3- Import media into a project
» [Tutoriel] [Part 2] After Effects : 3- Create your first animation
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